

There’s also a burgeoning sex scandal at the local school, and then there’s a dead body.Ĭoben is the series’ credited creator, but the two episodes sent to critics were written by Danny Brocklehurst ( Shameless) and directed by Daniel Nettheim ( Dance Academy), and they all presumably recognize they’re not blazing fresh ground. Some of the secrets are small, like the couple avoiding telling their kids that they’re getting divorce after the school year. Helping in the investigation are Tom’s new girlfriend Sophie (Amanda Abbington), a local detective, and the unprepared force’s newest investigator Emma (Hannah Arterton), a transfer from the big city.Īgain, the conceit here is that Tom lives in an enclave built for the express purpose of safety, with cameras distributed throughout for both protection and to negate secrets, and yet everybody he comes in contact with is hiding a secret. When Jenny goes out to a raging party and never returns, Tom is forced to turn amateur gumshoe in a mystery in which everybody, including his best friend Pete (Marc Warren) and his various seemingly upstanding neighbors could be a suspect. Hall plays Tom, a pediatric surgeon still grieving the death of his wife and struggling to relate to his two daughters, particularly rebellious teen Jenny (Amy James-Kelly). In this case, it’s an enclosed community and, in the opening credits, the show’s title is written in the severe metal gate that offers residents the illusion of security.
#Safe movie tv#
The eight-episode series, created by American novelist Harlan Coben, fits into several tried-and-true TV genres, starting with the story of a quiet suburb in which behind every carefully manicured hedge or pristinely skimmed swimming pool lurks a festering secret. Hall’s accent, reasonably consistent and yet rarely believable, is one of many things on Safe that are askew and, the more I think about it, the more I can’t tell if it’s intentional if not particularly satisfying, or merely bad.

Thus ending act one.In Netflix’s upcoming thriller Safe, Hall is a primary selling point, and it’s impossible to listen to him say “privacy” or “uni” in a proper British accent without losing concentration for the next two or three lines of dialogue. He jumps over the fence and awakens in a hospital bed. Tom runs for it and is chased by the dogs.
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Suspicious, Tom acts like a dick to Richard (get it? That jokes in the movie too), but Ana smooths things over.Ĭan Richard be trusted? What are his intentions? Why won’t he let the couple leave the compound? What’s up with the vicious dogs he keeps in the barn? Tom is tired of the questions and demands to leave.
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Richard offers them 200 euros a day plus room and board for helping with chores around the villa. When Tom and Ana arrive at the bed & breakfast, the two meet the owner, an older gentleman named Richard (Steven Brand), who welcomes them in and takes an immediate liking to Ana. Soon, we find that the two are on a work vacation. “…the two meet the owner, an older gentleman…who welcomes them in and takes an immediate liking to Ana.” Ana’s had enough, and the two decide to get off the bus and walk to their destination.
#Safe movie driver#
While on the bus, Ana is freaked out as the bus driver is a little reckless and gets into a minor accident. Ana tries to call her mother, but it seems she has mild dementia, and Tom is just an angry guy with Ana has his sole connection in a foreign land. Written by Blazej Dzikowski, this idea comes from events in the life of first-time director Renata Gabryjelska and grew into her first movie, Safe Inside.Īn American couple, Tom (Tom Ainsley) and Ana (Andrea Tivadar) is running away from life on a bus in a remote part of France. It starts with a tiny seed of a story that blossoms into a full-blown feature film. All it takes is one thought…one idea…to get the creative juices flowing.
